Unrealizations: The making and unmaking of two Japanese-designed extensions to European museums

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Unrealizations : The making and unmaking of two Japanese-designed extensions to European museums. / Sejrup, Jens.

I: International Journal of Cultural Studies, Bind 22, Nr. 6, 20.08.2019, s. 823-843.

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Harvard

Sejrup, J 2019, 'Unrealizations: The making and unmaking of two Japanese-designed extensions to European museums', International Journal of Cultural Studies, bind 22, nr. 6, s. 823-843. https://doi.org/10.1177/1367877919857390

APA

Sejrup, J. (2019). Unrealizations: The making and unmaking of two Japanese-designed extensions to European museums. International Journal of Cultural Studies, 22(6), 823-843. https://doi.org/10.1177/1367877919857390

Vancouver

Sejrup J. Unrealizations: The making and unmaking of two Japanese-designed extensions to European museums. International Journal of Cultural Studies. 2019 aug. 20;22(6):823-843. https://doi.org/10.1177/1367877919857390

Author

Sejrup, Jens. / Unrealizations : The making and unmaking of two Japanese-designed extensions to European museums. I: International Journal of Cultural Studies. 2019 ; Bind 22, Nr. 6. s. 823-843.

Bibtex

@article{aa710831e46345cfa78e5008df333f71,
title = "Unrealizations: The making and unmaking of two Japanese-designed extensions to European museums",
abstract = "Unrealized architecture is culturally significant. Although they remain imaginary, unrealized buildings happen to a community, often leaving unintended material and social traces. This article argues that unbuilt projects contribute actively to the production of locality and the meaning of neighborhoods and institutions. Drawing on theoretical investments from Appadurai and Yaneva, this article analyzes motifs of locality and globality in long-lasting controversies surrounding two unrealized Japanese-designed extension projects to European museum buildings: the Uffizi Gallery in Florence and the Institut Valenci{\`a} d{\textquoteright}Art Modern in Valencia. The analysis demonstrates that despite their spectacular confrontations, supporters and opponents in both cases shared similar notions of the affected neighborhoods and museums as meaningful social and cultural spaces. The controversies revolved around whether or not the Japanese-designed expansions would violate or reawaken perceived local energies and qualities. Engaging a little-studied dimension of cultural globalization, the article asks: what sort of locality emerges from unmaking globality-inflected monumental architecture?",
keywords = "Faculty of Social Sciences, architecture, Europe, Florence, globalization, Japan, locality, museum, unrealized projects, Valencia",
author = "Jens Sejrup",
year = "2019",
month = aug,
day = "20",
doi = "10.1177/1367877919857390",
language = "English",
volume = "22",
pages = "823--843",
journal = "International Journal of Cultural Studies",
issn = "1367-8779",
publisher = "SAGE Publications",
number = "6",

}

RIS

TY - JOUR

T1 - Unrealizations

T2 - The making and unmaking of two Japanese-designed extensions to European museums

AU - Sejrup, Jens

PY - 2019/8/20

Y1 - 2019/8/20

N2 - Unrealized architecture is culturally significant. Although they remain imaginary, unrealized buildings happen to a community, often leaving unintended material and social traces. This article argues that unbuilt projects contribute actively to the production of locality and the meaning of neighborhoods and institutions. Drawing on theoretical investments from Appadurai and Yaneva, this article analyzes motifs of locality and globality in long-lasting controversies surrounding two unrealized Japanese-designed extension projects to European museum buildings: the Uffizi Gallery in Florence and the Institut Valencià d’Art Modern in Valencia. The analysis demonstrates that despite their spectacular confrontations, supporters and opponents in both cases shared similar notions of the affected neighborhoods and museums as meaningful social and cultural spaces. The controversies revolved around whether or not the Japanese-designed expansions would violate or reawaken perceived local energies and qualities. Engaging a little-studied dimension of cultural globalization, the article asks: what sort of locality emerges from unmaking globality-inflected monumental architecture?

AB - Unrealized architecture is culturally significant. Although they remain imaginary, unrealized buildings happen to a community, often leaving unintended material and social traces. This article argues that unbuilt projects contribute actively to the production of locality and the meaning of neighborhoods and institutions. Drawing on theoretical investments from Appadurai and Yaneva, this article analyzes motifs of locality and globality in long-lasting controversies surrounding two unrealized Japanese-designed extension projects to European museum buildings: the Uffizi Gallery in Florence and the Institut Valencià d’Art Modern in Valencia. The analysis demonstrates that despite their spectacular confrontations, supporters and opponents in both cases shared similar notions of the affected neighborhoods and museums as meaningful social and cultural spaces. The controversies revolved around whether or not the Japanese-designed expansions would violate or reawaken perceived local energies and qualities. Engaging a little-studied dimension of cultural globalization, the article asks: what sort of locality emerges from unmaking globality-inflected monumental architecture?

KW - Faculty of Social Sciences

KW - architecture

KW - Europe

KW - Florence

KW - globalization

KW - Japan

KW - locality

KW - museum

KW - unrealized projects

KW - Valencia

U2 - 10.1177/1367877919857390

DO - 10.1177/1367877919857390

M3 - Journal article

VL - 22

SP - 823

EP - 843

JO - International Journal of Cultural Studies

JF - International Journal of Cultural Studies

SN - 1367-8779

IS - 6

ER -

ID: 226220866