Transtextual Postmodernity: Hassan Najmi´s Novel: Gīrtrūd, Gertrude Stein´s The Autobiography of Alice B. Toklas, and Anaïs Nin´s The Dairy of Anaïs Nin
Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt
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Transtextual Postmodernity : Hassan Najmi´s Novel: Gīrtrūd, Gertrude Stein´s The Autobiography of Alice B. Toklas, and Anaïs Nin´s The Dairy of Anaïs Nin. / Sabih, Joshua.
New Geographies: Texts and Contexts in Modern Arabic Literature. red. / Roger Allen; Gonzalo Fernandez; Francisco M. Rodriguez Sierra; Tetz Rooke. Madrid : Madrid: Ediciones Universidad Autónoma de Madrid, 2018. s. 217-236.Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt
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TY - CHAP
T1 - Transtextual Postmodernity
T2 - Hassan Najmi´s Novel: Gīrtrūd, Gertrude Stein´s The Autobiography of Alice B. Toklas, and Anaïs Nin´s The Dairy of Anaïs Nin
AU - Sabih, Joshua
PY - 2018
Y1 - 2018
N2 - AbstractHassan Najmi´s novel Gīrtrūd represents an example of the postmodern novel with its transtextual characters expressed fictionally. Hassan Najmi transforms the one-dimensional flat character, Mohammed, in Gertrude Stein´s The Autobiography of Alice B. Toklas into a three-dimensional dynamic character. In Gīrtrūd, the narrator Hassan becomes Mohammed´s voice – the very incarnation of Mohammed. They become each other´s double, fiction, reality, and mask of alterity. Through a kind of narrative game, the narrative voice – local form – reads, interprets and overwrites Western material/texts. As a postmodern novel, Hassan Najmi´s Gīrtrūd, narrates the story of Moroccan fiction in its complex relation to Western literature. Keywords: novel, fiction, postmodernity, narrative game, bilingual identity
AB - AbstractHassan Najmi´s novel Gīrtrūd represents an example of the postmodern novel with its transtextual characters expressed fictionally. Hassan Najmi transforms the one-dimensional flat character, Mohammed, in Gertrude Stein´s The Autobiography of Alice B. Toklas into a three-dimensional dynamic character. In Gīrtrūd, the narrator Hassan becomes Mohammed´s voice – the very incarnation of Mohammed. They become each other´s double, fiction, reality, and mask of alterity. Through a kind of narrative game, the narrative voice – local form – reads, interprets and overwrites Western material/texts. As a postmodern novel, Hassan Najmi´s Gīrtrūd, narrates the story of Moroccan fiction in its complex relation to Western literature. Keywords: novel, fiction, postmodernity, narrative game, bilingual identity
UR - http://euramal11th.wix.com/conference#!program/c1yu9
M3 - Book chapter
SN - 978-84-8344-620-1
SP - 217
EP - 236
BT - New Geographies
A2 - Allen, Roger
A2 - Fernandez, Gonzalo
A2 - Rodriguez Sierra, Francisco M.
A2 - Rooke, Tetz
PB - Madrid: Ediciones Universidad Autónoma de Madrid
CY - Madrid
ER -
ID: 138621212