From uncanny to sensible pasts: Temporal reorderings in Syrian documentaries

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Standard

From uncanny to sensible pasts : Temporal reorderings in Syrian documentaries. / Crone, Christine Aster; Mollerup, Nina Grønlykke.

I: History and Anthropology, 2024.

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Harvard

Crone, CA & Mollerup, NG 2024, 'From uncanny to sensible pasts: Temporal reorderings in Syrian documentaries', History and Anthropology. https://doi.org/10.1080/02757206.2024.2346888

APA

Crone, C. A., & Mollerup, N. G. (2024). From uncanny to sensible pasts: Temporal reorderings in Syrian documentaries. History and Anthropology. https://doi.org/10.1080/02757206.2024.2346888

Vancouver

Crone CA, Mollerup NG. From uncanny to sensible pasts: Temporal reorderings in Syrian documentaries. History and Anthropology. 2024. https://doi.org/10.1080/02757206.2024.2346888

Author

Crone, Christine Aster ; Mollerup, Nina Grønlykke. / From uncanny to sensible pasts : Temporal reorderings in Syrian documentaries. I: History and Anthropology. 2024.

Bibtex

@article{07073cdb9b5549d8a9c518bd77f2fcb1,
title = "From uncanny to sensible pasts: Temporal reorderings in Syrian documentaries",
abstract = "While the physical battle over Syria has receded, a critical battle that remains is the battle of the narrative. This battle is at once highly public and political, while it also intervenes in deeply personal and often traumatizing memories. One important arena where this battle is played out is documentary films, mainly made in exile. This article is based on viewings of numerous Syrian documentary films and conversations and interviews with directors, producers, cinematographers, and others engaged in the facilitation, production, and curation of these films, yet focuses specifically on three of these documentaries, The War Show, For Sama, and Our Memory Belongs to Us. Engaging with theories of temporalities of crisis, we argue that these Syrian documentaries perform a teleological reordering that serves to turn an uncanny past into a sensible past, allowing for new orientations towards the future.",
author = "Crone, {Christine Aster} and Mollerup, {Nina Gr{\o}nlykke}",
year = "2024",
doi = "10.1080/02757206.2024.2346888",
language = "English",
journal = "History and Anthropology",
issn = "0275-7206",
publisher = "Routledge",

}

RIS

TY - JOUR

T1 - From uncanny to sensible pasts

T2 - Temporal reorderings in Syrian documentaries

AU - Crone, Christine Aster

AU - Mollerup, Nina Grønlykke

PY - 2024

Y1 - 2024

N2 - While the physical battle over Syria has receded, a critical battle that remains is the battle of the narrative. This battle is at once highly public and political, while it also intervenes in deeply personal and often traumatizing memories. One important arena where this battle is played out is documentary films, mainly made in exile. This article is based on viewings of numerous Syrian documentary films and conversations and interviews with directors, producers, cinematographers, and others engaged in the facilitation, production, and curation of these films, yet focuses specifically on three of these documentaries, The War Show, For Sama, and Our Memory Belongs to Us. Engaging with theories of temporalities of crisis, we argue that these Syrian documentaries perform a teleological reordering that serves to turn an uncanny past into a sensible past, allowing for new orientations towards the future.

AB - While the physical battle over Syria has receded, a critical battle that remains is the battle of the narrative. This battle is at once highly public and political, while it also intervenes in deeply personal and often traumatizing memories. One important arena where this battle is played out is documentary films, mainly made in exile. This article is based on viewings of numerous Syrian documentary films and conversations and interviews with directors, producers, cinematographers, and others engaged in the facilitation, production, and curation of these films, yet focuses specifically on three of these documentaries, The War Show, For Sama, and Our Memory Belongs to Us. Engaging with theories of temporalities of crisis, we argue that these Syrian documentaries perform a teleological reordering that serves to turn an uncanny past into a sensible past, allowing for new orientations towards the future.

U2 - 10.1080/02757206.2024.2346888

DO - 10.1080/02757206.2024.2346888

M3 - Journal article

JO - History and Anthropology

JF - History and Anthropology

SN - 0275-7206

ER -

ID: 397903523