Plastic Skinscapes in Tibetan Buddhism

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Standard

Plastic Skinscapes in Tibetan Buddhism. / Brox, Trine.

I: Copenhagen Journal of Asian Studies, Bind 40, Nr. 1, 05.2022, s. 91-114.

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Harvard

Brox, T 2022, 'Plastic Skinscapes in Tibetan Buddhism', Copenhagen Journal of Asian Studies, bind 40, nr. 1, s. 91-114. https://doi.org/10.22439/cjas.v40i1.6557

APA

Brox, T. (2022). Plastic Skinscapes in Tibetan Buddhism. Copenhagen Journal of Asian Studies, 40(1), 91-114. https://doi.org/10.22439/cjas.v40i1.6557

Vancouver

Brox T. Plastic Skinscapes in Tibetan Buddhism. Copenhagen Journal of Asian Studies. 2022 maj;40(1):91-114. https://doi.org/10.22439/cjas.v40i1.6557

Author

Brox, Trine. / Plastic Skinscapes in Tibetan Buddhism. I: Copenhagen Journal of Asian Studies. 2022 ; Bind 40, Nr. 1. s. 91-114.

Bibtex

@article{c72e89ace7e64eb5b4ee96112431682e,
title = "Plastic Skinscapes in Tibetan Buddhism",
abstract = "This article takes as its point of departure S. Brent Plate's (2012) compelling metaphor {\textquoteleft}the skin of religion{\textquoteright} to discuss the increasing presence and impact of plastics in the sphere of religion. What material and imagined properties of plastics allow them to be incorporated into the sacred domain? How are plastics experienced? What are the consequences of plastics{\textquoteright} increasing presence? The discussion pivots around observations of three forms of plastics used in contemporary Tibetan Buddhism: (1) acrylic shells protecting sacred text, (2) polyethylene jars containing votives and (3) silicone imitations of Buddhist lamas. The article focuses on the skinscapes co-constituted by these plastics, focusing on the affordances and enactments of plastics in the religious field, not only in terms of how acrylic, polyethylene and silicone are experienced but also how they enact their material properties even beyond our sensual experiences of them. While the plastic materials protect and prolong the precious items that they contain or imitate, they also raise discussions about disposability, non-perishability, pollution and material doubt.",
author = "Trine Brox",
year = "2022",
month = may,
doi = "10.22439/cjas.v40i1.6557",
language = "English",
volume = "40",
pages = "91--114",
journal = "Copenhagen Journal of Asian Studies",
issn = "1395-4199",
publisher = "Handelshoejskolen i Koebenhavn Asia Research Centre",
number = "1",

}

RIS

TY - JOUR

T1 - Plastic Skinscapes in Tibetan Buddhism

AU - Brox, Trine

PY - 2022/5

Y1 - 2022/5

N2 - This article takes as its point of departure S. Brent Plate's (2012) compelling metaphor ‘the skin of religion’ to discuss the increasing presence and impact of plastics in the sphere of religion. What material and imagined properties of plastics allow them to be incorporated into the sacred domain? How are plastics experienced? What are the consequences of plastics’ increasing presence? The discussion pivots around observations of three forms of plastics used in contemporary Tibetan Buddhism: (1) acrylic shells protecting sacred text, (2) polyethylene jars containing votives and (3) silicone imitations of Buddhist lamas. The article focuses on the skinscapes co-constituted by these plastics, focusing on the affordances and enactments of plastics in the religious field, not only in terms of how acrylic, polyethylene and silicone are experienced but also how they enact their material properties even beyond our sensual experiences of them. While the plastic materials protect and prolong the precious items that they contain or imitate, they also raise discussions about disposability, non-perishability, pollution and material doubt.

AB - This article takes as its point of departure S. Brent Plate's (2012) compelling metaphor ‘the skin of religion’ to discuss the increasing presence and impact of plastics in the sphere of religion. What material and imagined properties of plastics allow them to be incorporated into the sacred domain? How are plastics experienced? What are the consequences of plastics’ increasing presence? The discussion pivots around observations of three forms of plastics used in contemporary Tibetan Buddhism: (1) acrylic shells protecting sacred text, (2) polyethylene jars containing votives and (3) silicone imitations of Buddhist lamas. The article focuses on the skinscapes co-constituted by these plastics, focusing on the affordances and enactments of plastics in the religious field, not only in terms of how acrylic, polyethylene and silicone are experienced but also how they enact their material properties even beyond our sensual experiences of them. While the plastic materials protect and prolong the precious items that they contain or imitate, they also raise discussions about disposability, non-perishability, pollution and material doubt.

U2 - 10.22439/cjas.v40i1.6557

DO - 10.22439/cjas.v40i1.6557

M3 - Journal article

VL - 40

SP - 91

EP - 114

JO - Copenhagen Journal of Asian Studies

JF - Copenhagen Journal of Asian Studies

SN - 1395-4199

IS - 1

ER -

ID: 304692946