Uyghur subnational histories as meta-heritage

Publikation: Bidrag til bog/antologi/rapportBidrag til bog/antologiForskningfagfællebedømt

Standard

Uyghur subnational histories as meta-heritage. / Beller-Hann, Ildiko.

The Central Asian World. red. / Jeanne Féaux de la Croix; Madeleine Reeves. London and New York : Routledge, 2023. s. 672-684.

Publikation: Bidrag til bog/antologi/rapportBidrag til bog/antologiForskningfagfællebedømt

Harvard

Beller-Hann, I 2023, Uyghur subnational histories as meta-heritage. i J Féaux de la Croix & M Reeves (red), The Central Asian World. Routledge, London and New York, s. 672-684. https://doi.org/10.4324/9781003021803-53

APA

Beller-Hann, I. (2023). Uyghur subnational histories as meta-heritage. I J. Féaux de la Croix, & M. Reeves (red.), The Central Asian World (s. 672-684). Routledge. https://doi.org/10.4324/9781003021803-53

Vancouver

Beller-Hann I. Uyghur subnational histories as meta-heritage. I Féaux de la Croix J, Reeves M, red., The Central Asian World. London and New York: Routledge. 2023. s. 672-684 https://doi.org/10.4324/9781003021803-53

Author

Beller-Hann, Ildiko. / Uyghur subnational histories as meta-heritage. The Central Asian World. red. / Jeanne Féaux de la Croix ; Madeleine Reeves. London and New York : Routledge, 2023. s. 672-684

Bibtex

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title = "Uyghur subnational histories as meta-heritage",
abstract = "In the wake of China{\textquoteright}s market reforms introduced in the early 1980s, Uyghurs enjoyed unprecedented freedom for cultural expression. They engaged in the building and restoring of mosques and saintly shrines, revived religious and life-cycle rituals, as well as ethnic crafts and the arts in general. Intellectuals started to produce narratives ranging from fiction and poetry to linguistic and ethnographic celebrations of Uyghur communal identity. State recognition of Uyghur minority status was a prerequisite for these cultural activities. Censorship remained in place, but, at least in the early phase of the reform era, its boundaries were broad and porous enough to allow counter-hegemonic narratives to find their way into print. Challenges to the state{\textquoteright}s master narrative were silenced more completely in the early 1990s, notably in historiography (Bovingdon & Tursun 2004: 363–8; Bovingdon 2010: 99–101). However, Uyghur cultural production continued, facilitated in the first years of the new century by a surge in private publishing, in the spirit of the market economy.",
author = "Ildiko Beller-Hann",
year = "2023",
doi = "10.4324/9781003021803-53",
language = "English",
isbn = "9780367898908",
pages = "672--684",
editor = "{F{\'e}aux de la Croix}, {Jeanne } and Madeleine Reeves",
booktitle = "The Central Asian World",
publisher = "Routledge",
address = "United Kingdom",

}

RIS

TY - CHAP

T1 - Uyghur subnational histories as meta-heritage

AU - Beller-Hann, Ildiko

PY - 2023

Y1 - 2023

N2 - In the wake of China’s market reforms introduced in the early 1980s, Uyghurs enjoyed unprecedented freedom for cultural expression. They engaged in the building and restoring of mosques and saintly shrines, revived religious and life-cycle rituals, as well as ethnic crafts and the arts in general. Intellectuals started to produce narratives ranging from fiction and poetry to linguistic and ethnographic celebrations of Uyghur communal identity. State recognition of Uyghur minority status was a prerequisite for these cultural activities. Censorship remained in place, but, at least in the early phase of the reform era, its boundaries were broad and porous enough to allow counter-hegemonic narratives to find their way into print. Challenges to the state’s master narrative were silenced more completely in the early 1990s, notably in historiography (Bovingdon & Tursun 2004: 363–8; Bovingdon 2010: 99–101). However, Uyghur cultural production continued, facilitated in the first years of the new century by a surge in private publishing, in the spirit of the market economy.

AB - In the wake of China’s market reforms introduced in the early 1980s, Uyghurs enjoyed unprecedented freedom for cultural expression. They engaged in the building and restoring of mosques and saintly shrines, revived religious and life-cycle rituals, as well as ethnic crafts and the arts in general. Intellectuals started to produce narratives ranging from fiction and poetry to linguistic and ethnographic celebrations of Uyghur communal identity. State recognition of Uyghur minority status was a prerequisite for these cultural activities. Censorship remained in place, but, at least in the early phase of the reform era, its boundaries were broad and porous enough to allow counter-hegemonic narratives to find their way into print. Challenges to the state’s master narrative were silenced more completely in the early 1990s, notably in historiography (Bovingdon & Tursun 2004: 363–8; Bovingdon 2010: 99–101). However, Uyghur cultural production continued, facilitated in the first years of the new century by a surge in private publishing, in the spirit of the market economy.

U2 - 10.4324/9781003021803-53

DO - 10.4324/9781003021803-53

M3 - Book chapter

SN - 9780367898908

SP - 672

EP - 684

BT - The Central Asian World

A2 - Féaux de la Croix, Jeanne

A2 - Reeves, Madeleine

PB - Routledge

CY - London and New York

ER -

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